![]() I decided that I didn’t want to do rap after that and that’s why there is a huge gap between that song and my work with Dre. Dre?Ĭhris “The Glove” Taylor: I did the “Reckless” song and it sold 4 million copies by being on the Breakin’ soundtrack. But as far as DJ’ing goes I never saw him play live.Ī: How did you end up working alongside Dr. As a producer I only rank Quincy Jones higher than Dre because of his work with Michael Jackson. He played at Eve After Dark near Compton. Ĭhris “The Glove” Taylor: I never saw him DJ. Tony was bad! Egyptian Lover was bad too. After us, I would rank DJ Aladdin and then Tony G. Aftermath dr dre how to#I laughed and was like, “I thought you were the best?” I showed him how to work the mixer and he was great! Later on there was a point that Bobcat was the best in town – even better than me when it came to scratching, speed, movement and techniques. I told him to get down and he looked at my mixer and said he didn’t know how to work it. I met Bobcat when he was 16 years old and he told me he was the best. There were other DJs but they weren’t on our level yet. Back then, they used to call Los Angeles “Southern.” For real! But myself, DJ Aladdin, and Bobcat were shredding whoever came in to town.įor the longest time, it was just me and The Egyptian Lover who were at the top tier. People back East didn’t know much of what was going on in the West. Each time, they would tell me that I was tight. DJs were just as hot so whenever they performed at our club, I made sure that I tore their a** up on the turntables. It’s hard to remember all of the details, but I believe The Egyptian Lover showed me the ropes on how to do it.Ī: Tell us about the experience of DJ’ing in Los Angeles back in the early ’80s before the West Coast Hip-Hop scene blew up.Ĭhris “The Glove” Taylor: We used to have big time East Coast DJs come to the club. I learned how to program the beats on it. We recorded “Reckless” in the middle of the night and finished at 2 am.Ī: That was your first track? It must have been a quick learning experience.Ĭhris “The Glove” Taylor: I played all of those party tracks like “Planet Rock.” I got my hands on a drum machine after the producers agreed with my request. They had already hired Ice-T as the rapper for the movie, so I approached him about rapping over the beat. They agreed to it and originally it was supposed to be just a music score for the scene. I was just a DJ at the time and had never produced anything up until then. I walked over to them and told them that I could do it. Aftermath dr dre movie#So they began shooting the movie at the club and one day, I overheard the producers talking about how they needed music to capture the feel of a certain scene. Back then, people like Sting from The Police and Malcolm Mclaren would come out to the club. Times put us on the cover of their Calendar section and the producers of the movie came to check it out. The spot was a phenomenon because we used to have lines going around the block and it was open to any age over 13. How did you get that part?Ĭhris “The Glove” Taylor: It all started with a club called Radio. Read Part 1 of this exclusive story:Ī: You were in the 1984 movie Breakin’ DJ’ing for Ice-T. Although disappointed by some of the uncredited work he’s done, The Glove appeared by no means a bitter man when we spoke to him, and was more than glad to share some stories that he’s never had the chance to really tell. Since The Glove rarely does interviews, has the wonderful opportunity to tell his unique story about the ups and downs of working with Dr. ![]() Dre” Young and found himself working side by side with the iconic producer on classics like The Chronic, Doggystyle, All Eyez On Me, and later, The Chronic 2001. Like a lot of DJs in the Hip-Hop game, The Glove turned to producing and soon became the right-hand man for Andre “Dr. The Radio Tron, The Glove was known for his lightning speed scratches. Spinning at the legendary Los Angeles club The Radio a.k.a. ![]() ![]() When Chris “The Glove” Taylor first appeared with Ice-T in the break-dance classic movie, Breakin’, he was already one of the most respected DJs on the West Coast. ![]()
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